Tuesday Intros No. 6: The Last Painting of Sara de Vos, by Dominic Smith

Welcome to First Chapter, First Paragraph Tuesday Intros,

hosted by Diane @

Bibliophile By The Sea!!

Every Tuesday, each participant
shares the first paragraph 

(sometimes two) from a book
they're reading,

or thinking about reading.

The book I've picked this week is...

 The Last Painting of Sara de Vos
Dominic Smith
Hardcover, 304 pages 
Sarah Crichton Books     
April 5, 2016
Art, Historical Fiction, Literary Fiction

About the Book
  
This is what we long for: the profound pleasure of being swept into vivid new worlds, worlds peopled by characters so intriguing and real that we can't shake them, even long after the reading's done. In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.

In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present. 




Upper East Side
November 1957

The painting is stolen the same week the Russians put a dog into space. Plucked from the wall right above the marital bed during a charity dinner for orphans. This is how Marty de Groot will tell the story in the years ahead, how he'll spin it for the partners at the law firm and quip it to comedic life at dinner parties and over drinks at the Racquet Club. We're dipping shrimp in cocktail sauce, working Rachel's best china out on the terrace because it's mild for early November, you understand, while two thugs -- middlemen disguised as caterers, let's say -- are swapping out the real painting with a meticulous fake. He'll be particularly proud of that last phrase -- meticulous fake. He'll use it with friends and insurance agents and the private investigator, because it sets up the rising action of the story, suggests that a prodigy or mastermind has been patiently plotting against him, just as the Russians have been conspiring all these years to colonize the stratosphere. The phrase will also help disguise the fact that Marty didn't notice the beautiful fake for months. 
  

I have just found out about this
book on Goodreads, and I 
think it promises to be very exciting!   
From what I posted above, would you
say I should keep reading?